Zao Wou-Ki – 趙無極


(b. 1921, China; d.2013, Switzerland)

Zhao Wou-Ki was born in Peking (now Beijing) in 1921. It was later in 1947 that he would adopt the name family name Zao.

Zao expressed an early interest in art and started drawing at the age of 10. His father, a banker, encouraged Zao’s artistic pursuits and sent him to the National School of Arts in Hangchow where he trained under renowned painter Lin Fengmian. In 1941, Zao began teaching at the school and in the same year, held his first solo exhibition, in Chongqing, at the age of 21. At the time, his paintings remained largely figurative. Several years later, in 1947, Zao relocated to Paris, associating with the École de Paris and befriended artists including Joan Miró and Alberto Giacometti. His fluency in French allowed Zao to quickly adapt to Parisian life and be accepted in the artistic circle. In Paris, Zao rose to prominence for his gestural, abstract paintings.

During this time, Zao began to paint more boldly and with more color saturation. A trip to New York in 1957 opened up new opportunities and new perspectives. Thereafter Zao travelled frequently between Paris and New York, where he met many of the American Abstract Expressionists including Franz Kline and Barnett Newman. By 1959, Zao stopped naming his paintings, instead he would title them with the date of completion thus avoiding ascribing visual associations through its title.

Zao’s works in the 1960s exerted even more vibrancy and energy than his earlier paintings. Paintings of this period displayed a visual drama that seemingly emerged from his strong lines and gestures. By the 1970s however, Zao’s paintings shifted yet again and became more ambient, holding a dreamlike quality. These paintings focused less on the distinction of gesture, color and background of previous years.

Throughout the key decades of his career, Zao’s philosophies applied to his teaching and artistic practice drew affinities between Western art and classical Chinese painting methods. While painting was his primary medium, Zao also worked with printmaking, producing etchings and lithographs. He also illustrated and worked in theatre stage productions. Meanwhile, watercolor remained an important part of Zao’s artistic oeuvre throughout his career. The spontaneity and translucency typical of watercolors exemplify much of the moods that characterized Zao’s works.

Zao’s works have been exhibited extensively internationally and are held in private and public collections worldwide. He passed away in 2013, in Switzerland at the age of 92. To this day, his paintings and works on paper are still widely sought after.


Zao Wou-Ki, Untitled, 1990, ink on paper, 34.5x27 cm, at Parkview Art Hong Kong

Ink on paper
34.5×27 cm


Zao Wou-Ki, Untitled 287, 1976, etching and aquatint on paper, 76x56 cm, at Parkview Art Hong Kong

Untitled 287
Etching and aquatint on paper
76×56 cm


Zao Wou-Ki, Idylle champetre (Rural idyll), 1950, etching on paper, 32.5x25 cm, at Parkview Art Hong Kong

027 – Idylle champetre (Rural idyll)
Etching on paper
32.5×25 cm


Zao Wou-Ki, L'escalier (The stairs), 1951, etching printed in 3 colors, 56x38 cm, at Parkview Art Hong Kong

066 – L’escalier (The stairs)
Etching printed in 3 colors
56×38 cm


Zao Wou-Ki, Untitled 115, 1958, lithograph printed in 6 colors, 50x65 cm, at Parkview Art Hong Kong

Untitled 115
Lithograph printed in 6 colors
50×65 cm


Zao Wou-Ki, Untitled 123 C, 1960, etching, 56x76 cm, at Parkview Art Hong KongUntitled 123 C
56×76 cm


For more enquires about available artworks, please contact the gallery.